This
disc is certain to become a party record for technophiles,
but just about everyone else will have fun too!
says .
Read the entire review
If
Holst's Mars was the bringer of war,
then Ballet Mécanique sounds like war itself.
says (UK).
Read the entire review
A hell of a
racket, exciting and brutal at the same time.
says ClassicalCDreview.com. Read the entire
review
Recorded
November 20, 1999 Engineers:
Jonathan Wyner, Bill Carman PRODUCED BY PAUL D. LEHRMAN |
Double
Music (1941) by John Cage/Lou Harrison
(6:43)
Peter Himmer, percussion
I Abe Finch, percussion II
Scott Dupre, James Powers, percussion III Zach Field, percussion
IV
Jeffrey Fischer, conductor
Shoot The Piano Player (1995) by
Richard Grayson (4:33)
Mr.
528 (1996) by Richard Grayson (6:50)
for player pianos and electronics
(first recordings)
Ritmica No. 5 and Ritmica
No. 6 (1930) by Amadeo Roldán (2:42, 1:54)
Scott Brenner, Scott Dupre,
Zach Field, Abe Finch, Peter Himmer, Dorathea Kastanas, Michael Murgia,
Aaron Pearsall, James Powers, Andrea Scott, Simon Thomsen
Jeffrey Fischer, conductor
Finale
("Saltarello, Presto") from Symphony No. 4 ("Italian")
(1822)
by Felix Mendelssohn, arranged by Paul D. Lehrman (6:01)
for 16 player pianos
(first recording)
Ballet
pour Instruments Mécaniques et Percussion (1924) by George
Antheil (30:51)
for three xylophones, four
bass drums, tamtam, two grand pianos, seven electric bells,
three airplane propellors, siren, and 16 player pianos (first
recording of this version)
Abe Finch, James Powers, Andrea Scott, xylophones
Scott Dupre, xylophone and tam-tam
Peter Himmer, Zach Field, Simon Thomsen, Scott Brenner, bass drums
Juanita Tsu and John McDonald, pianos
Jeffrey
Fischer, conductor
Listen to George Antheil himself, and to
radio legend Jean Shepherd's eulogy of him. |
And what about the Léger film?
Read what audiences have been saying about the Ballet mécanique
Who's Paul Lehrman, and what's he going to do for his next act?
Acknowledgements and Corporate Helpers
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